How Art Can Transform A Hospital

 

Wonderland Aspen, 2014, by Albert Delamour, Metallic C-Print. Recent acquisition.

Art:  The Cure for the Hospital Environment

For quite some time,  hospitals and medical centers have been incorporating art into their facilities.  Art transforms the environment and fosters a life-affirming, restorative and supportive environment that helps the patients, their families, caregivers, students, faculty and the community.

One of the most innovative is the art program initiated in 2014 by the Montefiore University Hospital for the Albert Einstein College of Medicine, in the Bronx, New York.


The Fine Art Collection

Cut Flowers by Babette Bloch, 2016, Stainless steel

Using laser-cut and water jet-cut stainless steel, Bloch challenges the limitations of metalwork. Her art seems organic and weightless, allowing for her natural themes to shine and reflect their surrounding environment. Through her use of story-telling, Bloch’s works expand on the landscapes that they exist within. The poetic transformation and reinvention of steel brings life to Bloch’s work on a larger than life scale.


The Fine Art Collection has been assembled through acquisitions, commissions, exhibitions, donations of art and other related visual arts programming.

Curated Projects

Curated programs are installed in various locations throughout the hospital system. Whether it’s a lobby, an administrative office, or patient areas, there is great care to select appropriate artwork for each space.

The program is conttinually adding to the collection as well as arworks for the ARTViews Galleries. For Artists: Montefiore is seeking to purchase original artwork for key public locations at multiple medical center locations. This call is open to all artists working and/or residing in the Bronx as well as the tri-state area (NY/NJ/CT).

The Art Program is also seeking seeking artwork for the ARTViews Gallery, and the Gallery in the Gardens, which are rotating exhibition spaces. The spaces  exhibit original artwork and is open to all artists living and/or working in the Bronx. The goal of the  rotating exhibition program  is to enrich the lives of the patients, caregivers, associates, students, faculty and the community’s understanding of contemporary art in a medical center context. See the website for more information on applying.

https://montefiorefineartprogram.squarespace.com/contact/

 


Innovation Lab Programs and New Experiences for Patients

In addition to these more traditional aspects of the art program of collecting and exhibitions, the Montetfiore is exploring new ways of working  with artists.

The truly innovative art programs that have been initiated at the Montfieore Medical Center are developments in Augmented Reality and Virtual Reality.

As Montefiore continues to advance state-of-the-art healthcare, the Fine Art Program brings patients the newest in digital technology to distract, minimize pain, and showcase contemporary art in a way never done before in a hospital setting.

The Augmented Reality Collection

Augmented Reality or AR, is the integration of digital information with the user’s environment in real time. Unlike virtual reality, which creates a totally artificial environment, augmented reality uses the existing environment and overlays new information on top of it.

Working with fine artists across the country, the AR Collection purchases and commissions artworks that exist only in AR. These pieces become a collection within a collection as patients can use their mobile devices to find a whole new world of art during their hospital experience.

The Virtual Reality Fine Art Program and Collection

The first of its kind to commission fine artists solely in virtual reality and for the benefit of patients. Working with the latest technology, the program seeks to replace opioids and pain with culturally enriched, site-specific experiences for our patients like never seen before.

Last year, the Montefiore’s Fine Arts Department received the Innovation in Healthcare Award from the annual Corporate Art Awards, sponsored by Luiss Business School in Rome.


Contact Information:  Jodi Moise, Curator,

Olivia Davis, Assistant Curator

Location  90 East 210th Street, Bronx, NY 10467

718-920-7671 ; 914.263.3685 cell
jmoise@montefiore.org

 

2016 © KEN SHUNG Laurel Porcari’s installation
We Are Stardust at Weiler Hospital (aka Einstein Hospital) in the Bronx, N.Y. commissioned by Jodi Moise ,Montefiore
The University Hospital for Albert Einstein College of Medicine  

Galeries Lafayette and Artist Collaborations

New Anticipations in Paris

 

 

The art news coming from Paris during the past month has been filled with descriptions of the new art center that the Galeries Lafayette has opened in the Marais district.

“Anticipations,” as it is called, is meant to cover the broad scope of expectations —from the anticipation of what new work could be created next, to the Fondation Galeries Lafayette’s attempt to anticipate artists’ needs, and even to the larger notion of anticipating the future of the planet.  According to Guillaume Houzé, the President of Galeries Lafayette, the combination of retail and art has been part of the retail company since it was founded by his great-grandfather, Theophile Bader, 106 years ago.


“Only creation can consider the movement of an era in its diversity and thus carry us continually to new horizons.”   Guillaume Houzé

“We created the Galeries Lafayette Corporate Foundation as a tool for advancing the conversation in our era and participating in the major social debates through the applied and visual arts. Guillaume Houzé


What makes this artcenter different from Paris’s many other foundations is its commitment to showing new work as well as its interdisciplinary focus. When the Galeries Lafayette was founded 120 years ago, it was a time when all the disciplines including design, arts and crafts, and applied art were seen as more fluid. Accordingly, the foundation will be offering the  opportunity for designers, artists, performers, and fashion creators to mix disciplines and processes, as part of a general inquiry into the practices of creation — which will  lead to a better understanding of contemporary times.

The facade of the original building has been preserved.

The Fondation d’Entreprise Galeries Lafayette, run by the French retail chain, commissioned Rem Koolhaas to renovate the historical building at 9 rue du Plâtre, that will be headquarters for the foundation’s cultural arm. The Marais building was erected in 1891 by the architect Samuel Mejot de Dammartin.

Not disturbing the exterior of the 19th century structure, Koolhaas and his firm OMA converted its central courtyard into a steel and glass exhibition tower, fitted with a mobile flooring system that offers 875 square meters of flexible exhibition space. The four independently moving platforms can be rearranged in more than forty different configurations depending on the project, and a 350-square-meter production workshop in the basement offers a space for guest artists to conceive and create work.

Lafayette Anticipations plans three or four exhibitions a year, along with conferences and performances. “The public will discover new works by international creators from the fields of contemporary art, design and fashion,” according to Houzé.

Every three years, the foundation plans to invite guest curators from abroad. On the Lafayette Anticipations curatorial team is Charles Aubin, a French curator based in New York who is also involved with Performa; Anna Colin, an independent curator based in the UK; and the Dutch-Moroccan curator Hicham Khalidi.

The foundation’s managing director, François Quintin, previously worked as curator of contemporary art at the Fondation Cartier, and for seven years headed a contemporary art center in the French regions, FRAC de Champagne-Ardenne. He also directed the commercial gallery Xippas for three years. 

The inaugural exhibit by artist Lutz Bacher (the US conceptual artist’s first exhibition in France) was conceived specifically for the entire building, highlighting the verticality of the building, exploring the structure’s symbolic elevation, and focusing in particular on the central void constructed by its architect.

The exhibition, “The Silence of the Sea,” is an architectural intervention involving sound, light and transparent films, focused on the surfaces of the building such as window reflections and bare walls.  The title references a novel written by a member of the French Resistance during World War II, which was secretly published in German-occupied Paris and is now a major text of French literature. (until April 30),

Space for Visiting Artists

On the lowest level is an experimental production workshop that provides a space for guest artists to work on new projects. The Foundation supplies tools to support their creation, production and dissemination. Artists can apply to use this workshop where works can be fabricated. Acccoding to Houzé “Artists can work here and show them in the building, or show them elsewhere. Between 2013 and 2016, we did a lot of co-production with other institutions such as the Tate in London and the New Museum in New York.”

The Corporate Art Collection

The Lafayette collection, known as the Fonds de dotation Famille Moulin, is not going to be displayed in the Marais space. The Fonds de dotation, which operates as a separate entity, has acquired more than 300 pieces by artists such as Anne Imhof and Wu Tsang.

 


 

 

Special Report Just Released: Copyright and Changing Legal Issues

The expansion of the  internet,……… the accompanying  proliferation of social media,….. the growing participation of businesses in the artworld,…… and many artists’ increased understanding of their rights to their intellectual property — have all been causing a re-evaluation of numerous laws and practices that conflict with each other in the status of copyrighted works, fair use,  freedom of panorama., and other areas. 

A new special report has just been prepared that outlines recent changes  in the status of artworks created for public  spaces, and private and corporate art collections.

The report is a useful guide for artists, art collectors, corporate art advisors, and anyone involved professionally in the artworld.

 

Some of the new legal situations  that are detailed in the report include:  

 

A new provision in the French Code of Intellectual Property.  Since October 2016, article L122-5 of the French Code  provides for a limited freedom of panorama for works of architecture and sculpture. The code authorizes “reproductions and representations of works of architecture and sculpture, placed permanently in public places and created by natural persons, with the exception of any usage of a commercial character”.

 

In the United States, on April 11, 2016, the US District Court for the Central District of California struck down the California Resale Royalties Act. California had been the only state that recognized royalty rights in favor of artists in cases when a work of art was re-sold. The ruling noted that the Calfornia Resale Royalties Act conflicted with the Copyright Act of 1976 with the “first sale doctrine”.

 

Sweden is testing the apparent conflict between Creative Commons and Freedom of Panorama in their country. In April 2016 the Swedish Supreme Court ruled that Wikimedia Sweden infringed on the copyright of artists of public artwork by creating a website and database of public artworks in Sweden, that contained images of public artwork uploaded by the public.

 

The European Commission has been attempting to harmonize the laws of Freedom of Panorama throughout all its member states. This will change the practices in virtually all of the countries to make them consistent with French and Italian laws.  This is a development that needs to be closely followed to understand its impact on all artists, especially photographers, and anyone working in the artworld.

 

These are some of the new laws that are affecting the copyright status of artworks in both private and public collections, and in public spaces.  Know about these new realities so you can protect yourself and your intellectual property !

 

Topics include:

  • Copyright and How it Affects Corporate Art Collections
  • History of Copyright Law
  • Works for Hire and their Copyright Status
  • Creative Commons
  • Fair Use in Copyright
  • Visual Artists Rights (VARA)
  • Freedom of Panorama
  • Photographing Works of Art in Public Locations – a changing reality
  • California Resale Royalties Act
  • Tax Issues on the Ownership of Art

 

This 50 page report is available in a pdf format for $7.00

You can order below by clicking on the Buy Now button, and it will be sent to you via WeTransfer when your payment has been credited.  Orders will be filled within 24 hours.

 

I would like to order the Special Report on the Changing Legal Issues in Copyright.  — published in January  2018 for $ 7.00 US$


Thank you for your interest in our publications and website.

Editor: Shrley Reiff Howarth